On a dark and stormy night a while ago, I went down to the Young Centre in the Distillery District to see
RARE, a very special theatre experience created and directed by Judith Thompson. Expanded from a hugely
successful run last summer at the Fringe, RARE is an ensemble piece starring
nine adults with Down’s syndrome - they also played a part in developing the script.
John Hawkes,
commenting on his role as quadriplegic poet Mark O’Brien in The Sessions, says,
” Art in general can help us shed light on things we normally look away from.” It’s impossible to look away from these engaging young men and women in RARE as they dance, sing and speak movingly of their hopes and dreams with eloquence and humour. Some of their thoughts are expressed in poetry...Yeats’ “One man loved the pilgrim soul in you” brought tears to my eyes as it always does and Hamlet's soliloquy poses a question we all ask ourselves on occasion.
” Art in general can help us shed light on things we normally look away from.” It’s impossible to look away from these engaging young men and women in RARE as they dance, sing and speak movingly of their hopes and dreams with eloquence and humour. Some of their thoughts are expressed in poetry...Yeats’ “One man loved the pilgrim soul in you” brought tears to my eyes as it always does and Hamlet's soliloquy poses a question we all ask ourselves on occasion.
The
players often don masks to conceal their faces, an effective way to erase even
further the sense that they are different, and reminding us too of the universality of their ideas and fears. Suzanne
overcomes difficulty speaking to tell us of the shooting death of her brother; Nicholas
treats his homosexuality in a refreshingly matter-of–fact way and Krystal reads
a letter to mothers urging them to “be brave” and not terminate pregnancies if
Down’s syndrome is detected.
The individuals in RARE are as diverse in their size, shape
and ethnicity as they are in their personalities. As I watched, I couldn’t help thinking of the
five young people in my 1981 film Free Dive who took such delight in their identity
as divers, at least for the duration of the film. We heard from many disabled
people after its release telling us how the film changed their image of themselves and encouraged them to try something they
hadn’t thought possible. I’m sure RARE will have a similar effect.
Using theatre to engage us with people who are different
from us in some way, whether it’s a noblewoman having a secret affair, an old
man with no home or a young person with Down’s syndrome, encourages us to be a
bit more generous, widens our horizon a few inches and generally makes the
world a better place.
Judith Thompson has
plans for future plays featuring people in wheelchairs and people who are deaf;
she’s to be congratulated for tackling these issues, opening our eyes and
hearts to some of our fellows .
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